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"Anders
Falk is a Swede in Hollywood who among other things freelances as a cameraman.
Already ten years ago he benefited from an Easyrig while documenting the
making of James Cameron's Titanic, where many hours were spent wading
in the water, and there was no opportunity to put down the heavy BetaCam
on a dry spot. In recent years small handheld digital video cameras of
high quality and low cost have become more common on professional shoots,
so Falk was pleased to welcome the introduction of the Turtle-X, intended
for these often ergonomically uncomfortable cameras.
Most shoots take place in the Hollywood area, but Falk has also flown
to Memphis, Chicago and New Orleans with the compact Turtle-X backpack,
which travels well. He brought it along on a documentary shoot in Kosovo,
and also used it during a physically grueling shoot about American military
training in the desert, where the practical backpack carried tapes, batteries,
trail mix and the vitally important hydration bag.
Falk exclusively used the Turtle-X with a Sony Z1-U HDV camera for two
seasons of behind-the-scenes shooting on commercials with celebrities
endorsing the world famous St. Jude Children's Research Hospital (see
Thanks and Giving Campaign www.tg.stjude.org). Participants include Jennifer
Aniston, Jimmy Smits, Ray Romano, Bernie Mac and the ever entertaining
Robin Williams, whose improvisational routine requires two hours of continuous
recording (except for tape changes) without a tripod, which makes the
Turtle-X indispensable for long, steady takes. When actor Antonio Banderas,
who is personally interested in camera gear, showed up for his shoot he
immediately spotted the Turtle-X on Falk's back. The producers noticed
how excited Banderas was about Turtle-X and they bought him a rig from
BandPro in Burbank, which was handed over two hours later as a thank you
for his participation!"
Svensk
text klicka här !
Anders
Falk
Cameraman
Sweden
Johan
"When I first saw the rig at N.A.B. in Vegas what 4-5 years ago,
I knew I needed one! I have shot NFL and various other sporting events.
Our company produces special effects and disaster exercises so having
the rig on even novice videographers allows us to ‘get the shot’
in the midst of sirens, fire and explosions.I
am always asked, “SteadiCam?” and of course I say no…
better. To us it is better. Lighter and more user friendly.
When you aren’t shooting and need a little break, the Easy Rig allows
you to do just that with a major teardown of the equipment. Although it
allows you to steady your shot, it allows you to be more creative than
controlling your camera on a tripod. It is the next best thing!
Then
you bring out the turtle which for our smaller cameras, allow us to get
into places without cumbersome cases. Traveling with camera is so much
easier and convenient. And again, stabilizes the shots you need and for
the quick ENG styled shoots we do, this is the right tool for our jobs.
If
you have shot you have to have one of these!
Thanks Johan… we look forward to your next great EasyRig!
More
pictures clic here !
Pete Mitchel
Cameraman
USA
"I
shoot a lot of live sports events for Danish TV.
On the back of the Easyrig I have mounted a transmitter
and
power suply for wireless transmitions.
I just love my personal Easyrig."
More
pictures clic here !
Troels
Sorensen
TV Photographer
Denmark
"Thanks
for fixing up my Easyrig. I love the new fitted design on the waist
belt. I have used the Easyrig I think for about 5 or six years.
It is still my back saver every day. I have been shooting on all of these
Reality shows the past few years. The camera seems to stay up for most
of the 12 to 14 hour shifts. I can honestly say I would not be doing these
shows without Easyrig. I love the ability to cover conversations
off the hip without all the shake and all the strain. Monday night on
NBC starts a new show I worked on called "Looking For Love".
I was the only camera with an Easyrig. It was three weeks of long
days and heavy cameras. I survived, had fun, and shot well all because
of my Easyrig. I think I may have made a few converts. I try to
tell people that it takes a week or two to get used to it. You have to
make it your own. When I first got it, I thought how does this help? After
a week I learned how to make it work for me. Now I think of it as part
of me when I step on the set.
Here I am
in my Easyrig. Thanks for a great design. You have extended my
camera career. I love what I do but it was getting harder and harder.
You have recharged my batteries. Thanks again."
Catherine
Cummings
TV Photographer
USA
Johan!
More
pictures
I
work as an nature and wildlife photographer in the very north of Sweden.
We have snow half of the year, I never have to put my camera in the snow
or on the ground because it is hanging in my Easyrig. Often I have to
walk a couple of kilometer to get to the set so I just hang my camera
to my Easyrig. The persons in the program discuss a lot before we start
recording and I just stays reedy to shoot.
I am really satisfied with Easyrig.
Thanks,
Jari Tarvainen
TV Photographer
Johan!
I
have used it for only one major project so far, but it was fantastic.
Out in the forest all day with a group of people, I was needing to move
around and get close up shots of people as they spoke. I have done this
before with out an Easyrig, and by the end of the day I was done, and
my shoulder didn't feel right for a couple of days. With the Easyrig I
was able to run around all day, have my shots be as stable at the end
of the day as they were at the beginning and not be nearly so tired. It
was marvelous.
Thanks,
Pat McAbery
Johan!
I've
been using my new 400 EasyRig for the past two weeks - five day per week,
10 hrs per day (the work days are 14 hrs and we have the cameras up for
close to 10 of those hrs) on a cooking show. The tool helps TREMENDOUSLY!
I wish I'd have bought one years ago.
I'm thinking about one of the little ones for use with the new HVX200
and with the DVX100A.
Thanks,
Herb Forsberg
This e-mail arrived August 23, 2005
Easyrig
is the greatest invention. I bought it for the World Poker
Tour, which required six hours of almost continuous handheld shooting.
Even worse, during an intense hand I had to hold a single steady shot
for up to ten or fifteen minutes, knowing that anytime could be the
decisive moment when somebody throws in the cards. It was torture on my
back until I got my Easyrig.
I have been working on many shows since then and now that I own the
Easyrig, I will always take it out whenever there is handheld shooting
involved, even if it is only for a few quick shots. I own it so why not
save my back.
I can honestly say that if I lost my Easyrig, I would not hesitate to
buy a new one. It is the best investment to make a hard job easier.
Bernd
Reinhardt
TV Photographer
Las Vegas
"As
a full time Marine wildlife cinematographer, I have the opportunity to
travel most of the year to many countries of the world while shooting
documentaries. Any specialized equipment I can use to improve the final
production is always welcome and to our advantage. I've been using the
easyrig for 3 years now and would not go on location with out one! If
we use two HD cameras on the shoot , we take two Easyrigs."
Tom
Campbell
Wildlife Cinematographer
www.tomcampbell.com
Statement
Johan, the inventor of Easyrig, August 5 2005
Svensk
text klicka här!
I
just have to do a statement for my self.
Right
now I am shooting a series about kids that is out in the nature. The kids
are doing adventures like climbing high mountains, canoeing, riding Indian
horses. I have to shoot the kids from early in the morning until they
go to sleep, and I have to carry my camera on me all time.
I think that first now I fully understand what my invention means to cameramen
and myself. I am glad to say that my invention works very well. About
ten years ago I came up with the idea of Easyrig. Then I shot handheld
couples of hours a week, which resulted in a bad back, neck and a bad
arm. I remember waking up in the middle of the night and my arm was numbed
and hurt so bad, I had to smash it into the wall to get rid of the numbness..
The conclusion for me is that I will be able to shoot for the Swedish
Television until I retire. To be able to run the Easyrig Company I had
to go down to half time from the Swedish Television. I didn’t want
to give up my working as a cameraman. Beeing a camera man is a big thing
in my life.
Johan
Hellsten
Cameraman and inventor of Easyrig
October
20, 2005
The award
winning photographer (Japan Academy Prize) Zensho Sakamoto
who has 3 rigs that he use for his motion pictures.
"I have been working with Easyrig for about nine years and it is
great.
The Easyrig brings my pictures to life."
Zensho Sakamoto JSC
Director of Photography, Japan
Japanese version
This e-mail arrived February 3, 2005
The
Easyrig is great. On some shows I live in it. I shoot a mix of 35 mm and
Super 16 mm features. I also use it on HD and Beta Cam style shoots. It
works great. Of course one of the biggest problems shooting 35 and 16
mm is the weight of the camera. It beats the operator up. Because the
camera is so heavy the assistant constantly has to take the camera from
the operator so he gets exhausted also. A typical scenario goes like this:
The assistant puts the camera on the operators shoulder. The operator
frames up. The director walks to the actors and stars talking. The operator
is starting to get tired and shaky then the shot starts. With the Easyrig
I can stand there comfortably waiting for action. Sometimes I keep the
camera on my shoulder between takes.
I own the
Cine Model and I actually have to 2 lbs when I shoot video to balance
them out. I have been thinking of building a bracket so i could mount
the post on a dolly. Maybe we could talk about this possibility. Im sending
you some photos. I will look for video of me using the rig. In several
shots I am using the Easyrig in low mode with VR glasses. Notice i also
have added a bungiecord which I use to secure the arm to keep it from
hitting folks.
Bob
Hayes
Cinematographer
Ridiculus,
a camera in a string
Svensk
text klicka här!
I have made a lot of documentaries and Törtlerig makes my job a lot
easier. The string attached to the camera has made it possible to get
even better material.
Often when I think that,"that picture will I take on free hand"
but almost every time I stand there with shaky hands and blaming my self
for the mistake. Even the small cameras, which I at the moment prefer
working with, has a tendency to put a quite a heavy load on my muscles
after a couple of hours shooting. It takes about a minute to put on my
Törtlerig, and after i put it on I can stand for hours with and take
steady shots without getting shaky arms.
With Törtlerig I never miss any surprising replies or sudden moves,
which is a pretty standard issue caused by movement of the camera tripod.
The Törtlerig offers many flexible solutions that make shooting exciting
documentaries a lot easier.
And as they say do you want some fish you have to have the hook in the
water, the same goes for documentaries the more material the better.
When my day is over, I dismount my rig and wear it in my backpack on my
way home on my bike.
Thanks
Johan!
Lennart
Peters
Photographer
This
mail arrived December 29 2005
more
pictures and a story from the Outback
My
“Greasy-Pig” Easyrig has become an essential part of my kit.
It’s provided an entirely new tool in my arsenal - offering an original
look whilst resolving chronic muscle strain
It
excels when shooting under-the-shoulder – those MTV-style interviews
that never end, couch-based hostings, or operating around boardroom tables
& desktops. It extends my reach, and offers a smooth, gliding platform
at the right eye-line. We simply get so much more usable material. It’s
so quick & easy to slip-on that I pick & choose the shots I need
it for, and so lightweight that carrying it around the world is never
an issue.
The aches and pains are gone too! I’m able to back-up for the next
job without the discomfort, less magnesium guzzled, and more energy left
for when I get home.
I love it, the clients love it, and the talent thinks it’s cool.
When recently recording MTV-style hostings at a rock festival, another
cameraman looked on in amazement and declared it “the perfect tool
for the job”. Too true!
Matthew Gormly
DP / Lighting Cameraman
Travelling Matt / Sydney, Australia
This letter
came to us March 19, 2005
Dear Easyrig
folks,
I
started a new job a few weeks ago and found that the cameras they had
were much heavier than the ones I had been using in my old job. A hand
held camera shoot aggravated an old shoulder injury- caused by a too heavy
camera . I was desperate for a solution to my problem. I have a family
to provide for and I really need to keep this job.
I remembered
seeing an ad for Easyrig and did some research on the web about it. I
ended up ordering one and have been thrilled with the product. It was
so easy to use and it really kept the camera weight off my shoulder and
back. I thought it would take some time to get use to but I shot a commercial
the day I got it. It was fantastic! I feel that I can continue in my career
now with Easyrig.
Thank you
so much for designing and building such an innovative and useful product.
I really appreciate the quality of materials and workmanship in it as
well.
Sincerely,
Richard
Marshall
Cameraman
Seattle, Washington USA
I
have been following the development of Easyrig from the first prototype
that came 6 years ago, and Im very pleased with my experiences of
it.
I dont think I could have offered the directors so much advanced
hand held camera without the Easyrig. For those who have tried
doing hand held filming with an ARRI 535A...without the Easyrig
knows what Im talking about.
Im convinced that I couldnt have made the movies I have, in
the same way, without the Easyrig.
For me, the whole point of the Easyrig is to put the camera weight
where you can handle it. It is not all of us photographers that were born
a Terminator!
John
Christian Rosenlund
Cinematographer
Norway
E-mail
2 February
Svensk
text klicka här!
I
have been working as an cameraman since 1991, -98 did I do my first reality
show. Easyrig is a back saver that's out of the question. The fact is
that many scenes that I shoot in reality wouldn't have been there without
Easyrig. Easyrig is special good in scenes that is static.I
have hade great use in sport shooting were the handheld camera is following
the match situation all the time.
I strongly
recommend Easyrig and know that many production companies that do reality-Tv
often put the cost of the Easyrig into there budget, they know they will
have better materials.
Per Norberg
Cameranman, Sweden
Hi there,
We recently purchased an Easyrig off you for a Natural History/Travel
shoot in Australia's Northern Territory.
Frankly, it was the best bit of kit I took with me and I could not have
performed my job anywhere near as good as I did without the Easyrig.
We spent 13 hours a day shooting from a boat; I wore the Easyrig at all
times, not only did it take the weight off my arm (the Z1 was loaded up
with toys and very front heavy) but it also helped to smooth the movement
of the boat on the water too.
The were many times that the Easyrig enabled me to get shots I wouldn't
have managed without it: Low angle above the water as the boat travelled,
"craning" up to action on the boat;
Production booked a helicopter one day for aerial footage of the floodplanes.
We were 200Km from cilivisation so proper filming choppers were out of
the question. The Easyrig became my chopper mount enabling me to shoot
safely and reletively steady from the seat.
The next block of the job takes us to Namibia, Zambia and Zimbabwe - I've
been asked to cut back on excess baggage but one thing is for sure - the
Easyrig is coming with me!
Best regards,
Chris Burton
- --
Fusion Films
Manchester, England
I wanted to have steady pictures (like Steadycam) , but I couldn't afford
Steadycam. I came up with an idea; to go on rollerblades together with
Easyrig.
I have been training in rollerblades, so I can start and stop filming
without moving my hips – I called this combination Easy-steadycam
. Now I can say that my results are very good and I can shot with Easyrig
for days without any pain in the back. Also I can get from one shot to
another in high speed with steady shot and without shaking.
Slovene version
Marjan Cerar
Slovenian Cameraman
Easy-Rig – Interesting tool for cameramen allowing changing the
racurs of camera from frog perspective to standard or non-standard angles
in very short time both on ground and ice.
Czech
version
Jan
Plíhal
Technical Manager
Hungarian
version
I
have started using Easyrig working on my first Robinson (a.k.a. Survival)
show in Malaysia, 2004. The Easyrig made me capable of filming in very
low angle pictures for a long time without being exhausted of the weight
of the camera. The Easyrig definitely made my life easier working on various
reality shows where the cameraman is put to work around the clock.
Zsolt Czinkóczky
Cameraman
When the first Easyrig was made, I immediately started to use it.
During many years I had frequently problems with my back. The Easyrig
made that problem go away. But additionally the Easyrig gives me so many
options to take pictures that I would not be able to take without the
rig. I work with the rig on drama, documentaries, sport, music....well,
in any genre that I work with.
One of my favorites is to work with the camera from the hip and then raise
it up to shoulder level and at the same time move forward or backward.When,
for instants, I'm working with music on stage, I can easily take great
pictures from low angels. I always
bring the Easyrig with me when filming in case I need to shoot handheld.
Runar Enberg
Cinematographer/TV-photographer
"I
used the Easyrig with a 12 kg camera for 4 or 5 hours, and it was
amazing to wake up the next day without any aches in my back or shoulder
or arm. Many of my colleagues praise the Easyrig and use it often."
Peter
Zimmermann, our agent in Denmark, filming the Danish general
election campaign on November 7, 2001. After working as a photographer
for the Danish TV2 for many years, Peter started working at Zimmermann
Film & Videoteknik, which was established by Peters father
Poul, also a photographer. When the Danish TV2 are producing bigger
events, Peter often helps them out by returning to his former profession.
One of their customers is famous filmmaker
Lars von Trier, who likes using the Easyrig himself while filming
his latest film 'Dogville'.
"The
Easyrig may sound too good to be true, but it isn't!"
Jean-Yves
Dion
Photographer
C.S.C. Canada
"I've
never seen anything like the Easyrig!"
Jim Allen
Photographer
Las Vegas, USA
"Once
you've started using Easyrig, you can't be without it."
Johan Arle
Cameraman
Holly-Hammar Studios
"Easyrig
is great! It's quick and improves great imagery."
Rolf Sohlman
Chief Director
Jarowski Productions
"...what
a pleasure it was to use Easyrig
whilst I was working at the Olympic Winter Games in Nagano for CBS Sports"
Graham Mounder
Director
Awfully Nice Video Co Ltd
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